Saturday 26 March 2011

Spring has sprung ...

Or so I thought! The rainy scene outside can't be much far removed from the pleasant, sunny afternoon spent at Dunstanburgh last Saturday.

Instead of being out and about this afternoon I have been experimenting with semi-desaturation techniques. I am also very impressed with the RAW picture quality from my new Nikon D5000. It puts my previous camera to shame.Only a few tweaks in levels and hue and saturation for the layers, and here are the results ...

Image 1 is the original.

Image 2 a combimation of hue and saturation layers, blending modes and opacity.

Image 3 uses a technique called bleach bypass.

Well, it filled part of a rainy afternoon, anyway. Maybe tomorrow will bring better weather ...










Thursday 3 March 2011

Take A Seat ...

Since returning from the Lake District I have had a wee photographic project brewing, which has involved me spoaching about for an old, rickety wooden chair.

I first saw the use of a chair in Rob Ward's The Chair project, whereby he has photographed different members of the local community in his studio using nothing but a chair. The resulting images are great, and tell a lot about the people from their "take" on the chair. You can see these images at


What I am interested to do is to take a different slant on the chair theme, putting it in a public space and take some shots. Whether these images are candid or staged, taken as close-ups or from further away, on the beach or in the hills somewhere it will be interesting to see what happens. In the back of my mind I can see a farmer and his Collie sitting on the chair in the Alwin valley, skaters in the market place in Blyth, and candid family shots on the beach. A kind of story-telling project ...

Throwing in a measure of mystery and intrigue, and the possibility of some perplexed onlookers wondering why there is a chair on the concrete pier at Blyth beach or at the top of a grassy knoll in the Cheviots kinda gets me excited ....
Maybe I have finally tipped over the edge ....